The Julian Day #5 on World Music Chart

The Julian Day #5 on Reverbnation’s World Music Chart!

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The Julian Day – What’s In A Name?

Kuniyoshi Ghosts of the Taira Clan
Kuniyoshi Ghosts of the Taira Clan

The Julian Day began recording immediately after the Winter Solstice of 2010 and posted their first song “Policy” on reverbnation during the first week of January, 2011. With the days growing longer, they felt something in the air. And then came the Arab Spring and The Julian Day were in what Shakespeare once called, “a fine frenzy rolling.”

Immersed at a young age in the songs of the great singer/songwriters of the 70s and the experimentation of 80s bands like New Order, U2 and Echo and The Bunnymen, The Julian Day fuses the two to offer a wholly new sound for 2014 that amps it up while stripping it down.

With The Julian Day you’ll find good songwriting mixed with just enough instrumentation to drive the songs along. Working with the idea that art is best when nothing can be added and nothing can be taken away, The Julian Day seeks to engage the listener head-on. Spare and spartanized, these songs have just the right amount of color and texture while offering brief lessons in the game of life.

“For those of you wondering why we chose the name “The Julian Day.” To the best of our knowledge the “actual” julian day is the day inserted into the month of February every leap year. This is the day that balances the calendar and literally balances time. In a world where everyone and everything seems hell-bent on throwing us and the entire world out of sync:”

“We like the idea of achieving balance and evening things out to create a harmonious wholeness.”

Even if achieving that means first, throwing everything out of whack. It’s only when we experience chaos that we define our truest foundations.

Our first EP is called Sohei.

Sohei in Japanese means literally “monk warriors” or enlightened soldiers. Lofty title right? We’re doing our best.

With Sohei we’ve created what we believe is a powerful musical document that underlines the struggle for a higher spiritual and emotional connection to humanity that is musically and thematically coherent. We’re not interested in singles. We want all of the songs to contribute to a homogenous, and sonically courageous whole; each song contributing to a unified statement. We’re hoping you all will enjoy it as much as we’ve enjoyed, and are enjoying creating it.

“NY indie rock sound of the future.” – Nikolaos Liolios, IndieFunda Project

“Listening to The Julian Day’s catalog, I discovered that this was not a band that conformed to any traditional playbook. None of their songs are by any means traditional. While their eclecticism may not be everyone, it is part of the charm that makes this band worth listening to. It’s difficult to draw comparisons with any other artist, as The Julian Day has certainly created a sound they can call their own.” – Brad Madison, Soundvaults

“Strong distinctive sound and blend of west/east, old/new, melody/poetry … a real pleasure to listen to. Looking forward to hearing more.” – Greg Charles/A Nice Vibe, San Francisco

Listen: http://soundcloud.com/thejulianday

Aloha Maui Mixed Plate Music Video Fest…

We’re working on creating the First Maui Music Video Festival and are looking for Alternative, Rock, Experimental and Electronic artists to take part. There’s no submission fee. Date is May 15th. Bands are not required to come to Maui.

We need the original video directly from you or a link where we can download it. Beyond that we’re going to need a 30 second blurb with your band name, song description, and a shout out to your fans.
You can reach us at lord.greystoke77@gmail.com

Ticket To Ride, Book 2, Chapter 25: This is a holy place but not a “holy” place…

news_PMBT_BuddhaTogether, they traveled into the mountains north of Los Angeles in search of a Buddhist temple. There, they didn’t feel particularly welcome, or even otherwise enthused. A female monk greeted them from a distance as they approached the temple. The temple itself was actually a double-wide mobile home sitting on a lot with random stones strewn around and plants that looked like they hadn’t seen rain in years.

“This isn’t what I was expecting,” said Morgan.

“Me neither,” replied Livy.

The female monk came closer.

“Can I help you,” she asked in a rigid and icy tone.

“Um, can we look around?” asked Morgan.

“What is it that you want?” she asked coldly.

“Just to look around I guess,” replied Morgan.

Morgan and Livy took a few steps away from the monk and as they stepped away a large dog began to bark at them.

“This isn’t at all what I was hoping for.” said Livy.

“Why don’t we just split?” Morgan replied.

Livy nodded in agreement.

“We’re just going to take off,” Morgan said, trying to speak over the noise of the barking dog.

“Suit yourself,” the woman replied.

The two began to walk away.

“D’ya think this is the American version of buddhism?” Livy asked.

“Kind of like the American version of beer.”

“Exactly,” replied Livy.

On the way back over the mountains and heading toward the sea they saw a bend in the river, far below the road. The bend was almost a corner and there, at the base of a rocky cliff on the far side of the water, were two large, chiseled, boulders with pines, sycamores and oak trees rising above them and forming a triangle. Between the boulders sat a smaller stone and two mulberry trees that appeared as twin preachers. Behind the boulders, a very old live oak rose up twice their height and seemed a fitting replacement for the crucifix.

Morgan said it looked like a natural cathedral and how like Notre Dame it was.

“The earth made these things first and man was just a copy cat. Nothing new under the sun,” thought Livy, “but how lovely it is that nature is always first. “Things changed,” she said out loud now, “from the moment people began to congregate in villages. It was all here for us and we lost our way and’ve only created artificial replacements. That tree has a lot to say, more than any one can.”

Sitting by the river Livy thought how the trip to the Buddhist temple wasn’t all for naught. That they had gone there and not felt invited or welcome or drawn to it had just led them here, to this place which must have a name, but a place they would not give a name nor seek to find a name for from the people who would know these things. Names limit the energy and power of things, waterfalls are so much more than waterfalls. This place would just be the place they went to after the temple and they’d feel what it was and know that this place was where they both decided not to look further into organized religions.

“This is a holy place but not a “holy” place.”

“I know what you mean.”

Morgan had his beliefs in the power of the sea and Livy felt drawn to the forest. There’s power in these things, she thought, though they’re not seen. Just being in and around these things fed the inner life the way others are fed by the Sunday sermon. As she was thinking these things Morgan recited one of his songs to her:

 

“I don’t believe in idolatry,

I’m hindered by false prophecy,

and I don’t believe that God hangs out in a church.

My religion is not your decision,

my religion has no division,

mine is of you and you and you and me.

holy wars and mission plagues are what its brought to be

offer plunder

offer warfare

offer naught to me.

It’s of the openness of oceans

and of seas

of walking together

alone

of loving with ease

of the the wind in the mountains

of flesh, stone and bone

of thoughts without fear.

and in the seeds we’ve sown.

rejoicing in a union

or

just looking to the sky

embracing the land and oceans

answering

the “why.”

This is not a religion

in the modern sense at all

but have we gained by being modern

or following

a modern call?”

 

Livy felt warm everywhere and saw something rising in Morgan. He extended a hand toward her and she responded with a simple “yes,” and then they made love by the river.

The River (A Dirge for Kurt Cobain) by The Julian Day

kurt-kurt-cobain-1285543-1024-768

We can get down sometimes, can’t we? You just have to hope someone’s really there for you when you do.

 

The River: Words by Philip Scott Wikel, Music by The Julian Day (Video Below)

I am the river
dry as the sun
like Kurt Cobain
without the guts

I am the river
dry as the sun
and for the hundredth time
I’ve gone nuts

I remember the river
when it used to flow
I remember the river
and I thought you should know
that I’ve become the river
and I wish I could row

But my arms are the river
dry as a bone
my arms are the river
and my heart is a stone
you see,
my heart is the river
and it used to flow
but my heart is the river
and it’s as dry as a bone

I even wish I could shiver
because that would show
that I was once like the river
when it used to flow
how I wish I could shiver
because that would at least show
that I was as cold as the river
in the white winter’s snow

I am the river
dry as the sun
and I think of Sylvia
cuz she’d gone nuts

I think she was a river
and like many the same
they’d gone crazy
and they had the guts.

Shiny Boxes – A Love Poem by Philip Scott Wikel

good-things-come-in-small-packages-1Shiny Boxes by Philip Scott Wikel

 

If we could but place

afternoons like these

in shiny boxes

 

God damn the bittersweet

give me the lotus

and let me dream

 

damn the cold

and how it creeps

and shame on me

for letting it

 

If we could but place

afternoons like these

in shiny boxes

I’d open the rainy day in december

and never close it again

 

A mosaic of haunting – soothing – mellow – and unforgettable sounds…

fox“Fox Elipsus is a mosaic of haunting – soothing – mellow – and unforgettable sounds that move all of those who look for depth truth and beauty in music. It is full of the peaceful and passionate political environmental and human messages of John Lennon and Gandhi. Fox believes in peace and love and these songs are as passionate and moving as his beliefs.”

My name is Fox Elipsus. I love doing this more than anything you could imagine. From the moment I started doing this professionally I knew I had found the thing that I would spend the rest of my life doing.

I was born in Oxford, England. I am partly Persian, mostly English, and a little Irish too. I speak a few languages, I have been to a lot of countries, including parts of Africa and Asia. My life has given me a unique and unbiased perspective on the world and ideas about how we might work towards peace and fair government in the future.

I try to make the most honest, heartfelt, personal, important, and powerful music imaginable. My music is meant for all age groups, all races, and all nationalities. There is no age group or demographic that likes my music more or less than any other. That gives me hope for the future.

I intend to play a show in every country of the world. I work 24 hours a day, every day, on bringing my dream and my music to life. If you would like to help, e-mail me at elipsus@gmail.com

I am trying to bring meaningful and deep messages back to music, similar to John Lennon. I’m from Oxford England (yes I have an accent) and I have an insatiable drive to reach the world with these words and songs. I hope the world will listen for a moment or more. Something amazing is happening. In the space of a few months I have found thousands of new fans that are soothed and inspired by my music, all over the world. It is growing rapidly, and I want you to be a part of it from the start. I am looking for friends, fans, supporters and promoters. Please listen.

http://www.elipsus.net

Top of The Tribe – Amber Ojeda is Vintage with a Modern Flare

amber-cd-cover-d-2Amber Ojeda is vintage with a modern flare…
Known best for her sultry and subtle vibrato, it’s her ability to lace together jazz, new soul, pop and hip hop that helped make her mark on the digital world of music. Equal parts talent and ambition, Ojeda has managed to secure music placements on networks such as ABC, Bravo, Oxygen & The Style Network. In 2010 a distribution deal was acquired with Sweet Soul Records releasing her debut Album ‘Here I Am’ in Japan.
In 2011 she landed a coveted spot on Bravo’s emerging singer songwriter competition series “Platinum Hit”. Her sophomore album “Space.bar.Love.” was released in January of 2012 and has been highlighted on numerous music blogs among the likes of Getty Images & This is Real Music. Amber has continued to receive constant airplay by independent music stations and has remained #1 on Reverbnation (San Diego pop Charts) for over a year.
For more up to date information please visit http://www.amberojeda.com

 

Eyes – A Struggle With Christianity and God

Sohei (Monk Warriors) EP by The Julian Day
Sohei (Monk Warriors) EP by The Julian Day

Eyes: Words and Music by Phil Wikel and The Julian Day

 

I want to spend a day in your eyes,

seek shelter from my lies

safe refuge from the wise,

I want to spend a day

in your eyes.

 

Out on the landscape of my life

there resides a burdening darkness

such a lonely

such a lonely

empty

empty stripped-down starkness

 

(CHORUS)

In your eyes I can dream

dream that I might harness

through dreams and schemes and unplanned themes

harness a corner on love.

Continue reading “Eyes – A Struggle With Christianity and God”

Notes on The Julian Day – Like Who Cares Right? (Haha)

Gateway to Elysian Fields
Gateway to Elysian Fields

Midnight 12am: It’s that time of night when one can be convinced that his quiet, mindful wanderings might have some relevance to other wanderers of the Elysian Fields. Sleeping people don’t talk back and folks like me with grand delusions find this time suited to their wayward, wanderlusting minds.

For those of you wondering why we chose the name “The Julian Day.” To the best of our knowledge the “actual” julian day is the day inserted into the month of February every leap year. This is the day that balances the calendar and literally balances time. In a world where everyone and everything seems hell-bent on throwing us and the entire world out of sync:

“We like the idea of achieving balance and evening things out to create a harmonious wholeness.”

Even if achieving that means first, throwing everything out of whack. It’s only when we experience chaos that we define our truest foundations.

Our first EP is called Sohei.

Sohei in Japanese means literally “monk warriors” or enlightened soldiers. Lofty title right? We’re doing our best.

With Sohei we’ve created what we believe is a powerful musical document that underlines the struggle for a higher spiritual and emotional connection to humanity that is musically and thematically coherent. We’re not interested in singles. We want all of the songs to contribute to a homogenous, and sonically courageous whole; each song contributing to a unified statement. We’re hoping you all will enjoy it as much as we’ve enjoyed, and are enjoying creating it.

The new EP (if we ever finish it) will be called “A Place Called Everywhere.” 

It’s our belief that as the world grows smaller and smaller with each passing day through our interconnectedness via the internet, skype, cell phones, and all the other techno stuff, soon wherever we are will be a place called everywhere. What will that world be like? We’d like to explore that with this next round of songs.

Preview of “A Place Called Everywhere:” https://www.kickstarter.com/projects/thejulianday/508010318?token=792d5193