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amber-cd-cover-d-2Amber Ojeda is vintage with a modern flare…
Known best for her sultry and subtle vibrato, it’s her ability to lace together jazz, new soul, pop and hip hop that helped make her mark on the digital world of music. Equal parts talent and ambition, Ojeda has managed to secure music placements on networks such as ABC, Bravo, Oxygen & The Style Network. In 2010 a distribution deal was acquired with Sweet Soul Records releasing her debut Album ‘Here I Am’ in Japan.
In 2011 she landed a coveted spot on Bravo’s emerging singer songwriter competition series “Platinum Hit”. Her sophomore album “Space.bar.Love.” was released in January of 2012 and has been highlighted on numerous music blogs among the likes of Getty Images & This is Real Music. Amber has continued to receive constant airplay by independent music stations and has remained #1 on Reverbnation (San Diego pop Charts) for over a year.
For more up to date information please visit http://www.amberojeda.com

 

Sohei (Monk Warriors) EP by The Julian Day

Sohei (Monk Warriors) EP by The Julian Day

Eyes: Words and Music by Phil Wikel and The Julian Day

 

I want to spend a day in your eyes,

seek shelter from my lies

safe refuge from the wise,

I want to spend a day

in your eyes.

 

Out on the landscape of my life

there resides a burdening darkness

such a lonely

such a lonely

empty

empty stripped-down starkness

 

(CHORUS)

In your eyes I can dream

dream that I might harness

through dreams and schemes and unplanned themes

harness a corner on love.

Read the rest of this entry »

fdr_no_fearThe Second Bill of Rights was a list of rights proposed by Franklin D. Roosevelt during his State of the Union Address on January 11, 1944.[1] In his address Roosevelt suggested that the nation had come to recognize, and should now implement, a second “bill of rights“. Roosevelt’s argument was that the “political rights” guaranteed by the constitution and the Bill of Rights had “proved inadequate to assure us equality in the pursuit of happiness.” Roosevelt’s remedy was to declare an “economic bill of rights” which would guarantee:

Ticket to Ride

Prologue

Just Another Day – Livy Tinsley

To lead a better life, I need my love to be here.

- from “Here, There And Everywhere” by the Beatles

As the sun was setting over the Pacific Islands, casting it’s multi-color, thousand shaded dance on the faces of people she would never know, if only through the stories of a future, decade away lover, Olivia Tinsley (Livy) was waking to the new day. North London, having yet shed its coal-smoke past, greeted the morning like a stepmother embracing an unwanted child. But Livy’s spirit was above this, stepmother or not, she was connected to the morning. Her world was never just East Finchley. Hers was all that the equator bisected and all that lay between the poles. And while only a young girl, she knew she would bring them all to see this.

This particular morning, Saturday, December 17, 1967, was Livy’s birthday. She was turning ten today, double-digits, the first step toward young womanhood and the springtime of Psyche.

Trudy would be waiting. And the two friends, connected by a vision that stretched beyond the High street and market day, would walk above what others saw. Today their trek would take them to the Thames, a river which, in both their minds, led to the all of the oceans of the world.

They met at the corner as they did on so many other mornings, liberated from the utilitarian drabness of their council-flat homes. (This drabness should be seen as only the narrator’s point of view because neither girl could be “bothered” with pigeonholing themselves as being poor.) Poverty was something they saw in their parents’ eyes. It scared them, like the [Boogie Man], and solidified in them, a desire to not be poor, at least in spirit, and dreams. Dreams were what they had, a warm cloak against the morning air and their protection against their mother’s insistent urging to dress more warmly. The only warmth Livy needed today was what she saw in the floppy-haired eyes of Paul McCartney. The Beatles were in full force and she saw in them, especially in Paul, the promise of the world outside; a world full of Europe, America and the power of words to make change. Read the rest of this entry »

Intro to an excerpt from Chapter 14 of Ticket to Ride

It’s now the spring of 1979 and Livy’s editor has sent her to San Diego to meet with a bunch of surfers for a trip to Cabo San Lucas. Livy has never gone surfing and knows next to nothing about the sport or it’s culture. While on this trip Livy falls in love with the sport and gives us a unique view of the surfing lifestyle and its devotees.

What I’ve tried to do here is to present the world of surfing as realistically and as truthfully as possible. Livy’s experience is informed by the exuberance of Jack London’s introduction to surfing at Waikiki in the early 20th century and is tempered by what I like to think of as Duke Kahanamoku’s vision of the ideal surfer and waterman. Duke was born just outside of Waikiki and, as part of the US Olympic swimming team, won gold in the 1912 and 1920 Olympics, and silver in 1924. He is considered the greatest of the godfathers of surfing and was responsible for introducing the sport to the US and Australia. His integrity and kindness made him a friend to many.

From Chapter 14, Ticket to Ride

In her journal Livy writes:

It’s amazing how quickly you come to know people on the road. The Aussies are three of the coolest people any of us have ever met. Even Rob has warmed to them. They have an uncanny ability to stay in the moment. All of them left their jobs before coming here and haven’t a worry about what lies ahead. They’re here for two months and reside within each minute of the day as if it were made for them. Next to them we, Americans and Britons, seem like worrisome old ladies.

Read the rest of this entry »

“If I have seen further it is by standing on the shoulders of giants.”
- Isaac Newton, letter to Robert Hooke, 1676

How does this relate to Ticket to Ride? The following articles are about the people who inspired me to press on when I found the world ill-defined. While I idolized Hemingway and Kerouac, J.D. Salinger and Keri Hulme, Dylan Thomas and Robert Frost, the people in my next three articles were, and are, the tangible, and the most immediate, examples I have of people living lives immersed in, and in pursuit of, their respective passions. I feel very fortunate, and am thankful for, the circumstances which caused our lives to intersect. It is from their shoulders that I could see what might be instead of just what was.

Intro to “Happiness is the Warm Guns”

With it’s many quotes of, and allusions to, bands (including a cameo appearance by U2) and lyrics of the 70s, my novel, Ticket to Ride, is as much a celebration of music and musicians as it is a celebration of writers and writing. The Warm Guns are, to me, like the second coming (or third if you factor in Oasis) of the Beatles. Because of this, I feel they fit with the spirit of the book. Livy Tinsley, my female protagonist and devotee to Paul McCartney and the Beatles, would have loved these guys.

Happiness is the Warm Guns

by philip scott wikel (originally published in the Ojai Valley News)

Coming down from Ojai with a warm Santa Ana blowing at my back, I felt I was headed toward something good. In my mind I could hear the Beatles “Revolution” and as I pulled off Hwy. 33 at Main St. I found downtown Ventura flooded with the clean streetlight glow of an after-rain autumn evening and the friendly echoes of the Warm Guns streaming out from Zoey’s coffee loft.

Read the rest of this entry »

the julian day

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